The Longhouse at Monkey Baa Theatre
Making Theatre for young audiences
Congratulations to Monkey Baa Theatre Company which has just been awarded a prestigious Touring Legend Award, at the 2015 Drover Awards in Sydney.
By the end of 2015 they will have taken over 20 tours to more than 135 communities in every State and Territory of Australia; three international tours to 35 US theatres; more than 2500 performances; engaging over 1.1 million young people.
For the second Longhouse event, Creative Directors Eva di Cesare and Tim McGarry welcome us into their theatre at Darling Harbour, to share with us the secrets of making theatre for young audiences. And they'll tell us about preparations for a new production inspired by Li Cunxin's The Peasant Prince - The True Story of Mao's Last Dancer.
WED 2 SEPTEMBER - 6pm - 8pm
Monkey Baa Theatre Company, Lendlease Darling Quarter Theatre
Terrace 3, 1-25 Harbour Street, Sydney
Admission is free but RSVP essential .
How Now Rick Lau
It's 3am and the city snores. In the ghostly glow of a laptop, a stooped figure taps away. He's blogging.
M on the Bund, Shanghai, 20-21 January 2006
Hong Kong City Festival, 25-27 January 2006
Camp Comedy Festival Singapore, 18-21 May 2006
Take a bit of musical theatre and some classic numbers; throw in a
cup of pop and karaoke; blend in three tone-deaf Chinese old bags;
add three tablespoons of campiness, wackiness and organic sea salt;
spice it all up with a pinch of acid humour, and stir-fry on high for 50
Penned by Rick in conjunction with Tony Taylor, SunRice takes
a light-hearted look at Rick's life and career, from his days growing
up in Hong Kong, through IT jobs in Europe and the US, and his
experiences as a migrant in Australia. You'll LOL at his hilarious tale
involving Charles and Diana's wedding.
Written by Rick Lau and Tony Taylor
By Alex Wheaton
dB Magazine, Issue #370, 2-15 November 2005
It may not be a typical weekend for Rick Lau, who spends some of his free time house-hunting for the perfect apartment near Sydney's Coogee beach before he heads down to Adelaide for this year's Feast Festival.
Lau is appearing in his one man cabaret show 'How Now Rick Lau', which is, as you might expect from the name of the show, quite a bit autobiographical with a little artistic license thrown in. The bit about the next door neighbour being a Turkish oil wrestler is made up, he admits.
"I want to share with a few friends, and so we're looking for the perfect apartment at the right price, but it still needs to be in walking distance from the beach..." he purrs. A dedicated sunlover, Lau is an intriguing man: how many gay Asian cabaret performers who hold a degree in Computing Science can you name? Hmmm, one.
"Yeah, I really likes the hot weather, so I'm hoping it will warm up when I come down there - I lived in Adelaide for two years when I came to university, so I know all about your summers," he laughs.
A native of Hong Kong, Lau headed off to see more of the world when he was seventeen, and hasn't looked back. "I spent four years working overseas, and had clients in the 'States and Germany, and I still have mixed feelings about Hong Kong." Sure, he goes back to visit his family, and earlier this year wwent back to perform the show over there.
"I thought that it would be a very special experience, and it was, because my family came along to see me perform, but this is in an area where the arts is not so supported."
The cultural differences and expectations must be enormous, I posit. "In general I guess Asians are into having a good career and making money to support the family," he asnswers carefully, "and if you don't the pressures are great." That will all sound quite familiar to anyone who has attempted to make a career in the arts, I guess, but Lau knows other cards in the deck are marked against him.
"Being a gay Asian in Australia isn't so easy sometimes, and there's even expectations within the gay community... there's what I call the Gaysia complex, and it's all about whether someone is a rice Queen or not. Gay Asian men seem to be expected to behave in a certain way.
These are the sort of issues explored by him in 'How Now...', which follows the journey of an insomniac blogger from 3m to 7am as he finds his own way within society and attempts to form friendships. "Where do you place a misfit, a minority within a minority within a minority?" asks Lau, making the rhetorical question sound vaguely wistful.
It would be wrong to think this is a show which is merely a catalogue of his complaints: a commissioned work from the development studio at the Sydney Opera House, this is a show which has seen Lau in full flight.
"I'd done a few cabaret shows - my last show was 'Sunrise', and people liked it. Over here it's a totally different culture and people are encouraged to follow their ideas," he says, thinking back to Hong Kong. Even so, it's been a bit of a struggle - having done some acting he auditioned for NIDA and was accepted, then followed that up with bit parts in musical theatre and scored a role in 'Hair'.
Then not much happened.
In casting there's to often the likelihood of an Asian man being typecast, and that's not hard to imagine, but Lau saw the possibilities of turning this into a positive. "In the cabaret area there's very few Asian men and being one is possibly a way of being more obvious, more noticed. I'm really enjoying the chance to tour this performance and show people what I can do."
Alison Cook is an IP/IT lawyer currently working for an IT company.
Her previous legal work includes a top-tier firm, a large
telecommunications company and volunteer work with the Arts Law Centre.
Within the arts, she has been Member Services Executive at
Screenrights, the audio-visual copyright society and a committee member
of SAMAG (the Sydney Arts Management Advisory Group).
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