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After leaving his comfortable career (and very comfortable salary) in IT and graduating from the Music Theatre course at NIDA, Rick was hit by the grim reality of the limiting opportunities for Asian actors in Australia. With the support of 4a (Asian-Australian Artists Association) and a funding grant by the Australia Council for the Arts, Rick co-founded Theatre 4a with fellow artist Paul Cordeiro and produced their first production Four x Twenty - four 20-minute short works. Rick is delighted that this little seed has since grown to enable collaboration with the Sydney Opera House and Belvoir St Theatre, as well as national and international touring of our productions.
Hailed by The Australian as a "one-man tour de force", Rick’s professional theatre credits in Australia include the lead role of “Engineer”(u/s) in Miss Saigon, Thoroughly Modern Millie, Hair the musical, Box & Quotations from Chairman Mao Tse-Tung, The Attack of the Granny Boomers, The Popular Mechanicals, Empress of China, Eureka, Naked Boys Singing!, Elegies for Angels Punks and Raging Queens, the River Skaters, Pacific Overtures, Looney Tunes, Hello Kitty’s Fantastical Adventure and Four x Twenty.
Since returning to Hong Kong two years ago, Rick has played the role of Miles Gloriosus in Chung Ying Theatre’s A Funny Thing Happened On The Way To The Forum, Prez in The Pajama Game and Snowball in Animal Farm the Musical.
Rick’s other life as a solo artist has seen him producing, co-writing (with Tony Taylor), and performing in his 6 sold-out one-man cabaret shows: My Generation, Men In Love, My Queer Valentine, SunRice, I know where I'm going...I think, and How Now Rick Lau (commissioned by and premiered at the Sydney Opera House) in Australia, the Edinburgh Fringe Festival in Scotland, West End London, Singapore, Shanghai and Hong Kong.
Rick is also a sought-after voice-over artist and backing singer, and is currently appearing in Sandy Lam and Grasshopper’s world tours.
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Rick Lau After leaving his comfortable career (and very comfortable salary) in IT and graduating from the Music Theatre course at NIDA, Rick was hit by the grim reality of the limiting opportunities for Asian actors in Australia. With the support of 4a (Asian-Australian Artists Association) and a funding grant by the Australia Council for the Arts, Rick co-founded Theatre 4a with fellow artist Paul Cordeiro.
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Asia Pacific Screen Awards |
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Asia Pacific Screen Awards
The inaugural Asia Pacific Screen Awards
took place on the Gold Coast, Australia, on November 13, 2007,
following deliberation by an International Jury headed by Indian
actress and humanitarian, Shabana Azmi. The Awards is a collaboration
involving CNN International, UNESCO and the FIAPF - International
Federation of Film Producers Associations. 34 films were nominated from
19 countries. Joan Chen was nominated for Best Actress for her role
in Australian film The Home Song Stories.
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Hong Kong Fringe Club: Australia on Stage 2006 |
By Kay Ross
State of the Arts, 13 February 2006
The ‘Australia on Stage' program of the City Festival 2006 at the Fringe Club in Hong Kong featured three multicultural Australian stand-up comedians who deconstructed their Asian-Australian-ness: Tibetan-Australian comedian Nick Sun, Anglo-Indian Melbourne girl Georgina Naidu and Hong Kong-born cabaret artiste Rick Lau.
Benny Chia, the Artistic Director of the Fringe Club, said: "We love working with Aussie performers; their shows usually have a certain rawness and authenticity about them that suit us to a T, and local audiences have embraced them. Since the announcement of Keating's Creative Nation policy, the Australian government (through the Consulate-General here) has been putting its money where its mouth is. We've been working with Australian artists and arts organisations since 1987, and we've introduced at least 100 acts from Down Under to Hong Kong audiences. Every year we try to bring in new acts and fresh talents to whet people's appetite and keep their interest up."
The "Australia on Stage" program was sponsored by the Australian Consulate-General in Hong Kong. Murray Cobban, Australian Consul-General in Hong Kong, said: "Hong Kong audiences love Australian comedians because of their unique sense of humour. Their witty performances are often inspired by individual experiences in the multicultural living environment of Australia. The ‘Australia on Stage' program of this year's City Festival is a celebration of the best Australian-Asian talents nurtured in an open and culturally diverse country."
Award-winning comedian Nick Sun is known for his self-deprecating, tongue-in-cheek style. In his show Whatever (18-21 January), he described his comedy as "funny, hopefully". Throughout his act, Nick pointedly insisted that his ethnicity was irrelevant, thereby ironically drawing attention to it. One quip that drew big laughs from Hong Kong audiences was: "I've been here for four days and I still haven't found Chinatown."
Melbourne comedian Georgina Naidu poked fun at the weirdness of her Anglo-Indian background in her witty, warm-hearted autobiographical show about home and belonging, Yellow Feather (25-27 January). Backing her up on the onstage sound system was DJ Schmidti, who is of Indo-Fijian-Australian heritage. One of Georgina's funniest lines was: "Essendon football team is so good there's even a place named after them."
Cabaret artiste Rick Lau returned to the City Festival after last year's sell-out show, How Now, Rick Lau, with SunRice (25-27 January). It was a light-hearted romp through his life and career, from his childhood in Hong Kong to IT jobs in Europe and the US, and his experiences as a migrant in Australia. Hong Kong audiences, even those who don't speak Cantonese, enjoyed his scenes and asides spoken in Cantonese, because the characters were instantly recognisable. And drawing huge applause was his version of the tongue-twisting song I've Been Everywhere, Man, featuring Hong Kong as well as Australian place names.
Outside of the ‘Australia on Stage' program, but still part of the City Festival, visual artist and performer Greg Leong from Tasmania was a guest speaker at a symposium, "Arts Connections: D.I.Y. Touring Arts in Asia". Also speaking at that symposium was Douglas Gautier, Executive Director of the Hong Kong Arts Festival, who is due to take up the role of Director of the Adelaide Festival Centre in May.
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