Archive 2010
the Music reviews IB2
themusic_review.png A thrilling hour of theatre

Review by Danielle O'Donohue

themusic.com.au 22 January 2016

... the best kind of example why a diverse cultural landscape should not only be encouraged in Australia but is essential...Read the full review .

 
Who Speaks for Me? Seeking storytellers

Who Speaks for Me?

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Performance 4a teams up with the brand spanking new National Theatre of Parramatta for our next production, a new storytelling show about the complexities of language. "Who Speaks For Me" will be co-directed by William Yang and Annette Shun Wah, the team behind Performance 4a's successful shows Stories Then & Now and Stories East & West.

We’ve all had those “lost in translation” moments – some may be frustrating, some funny, some painful.  While the theme is language, what we really want to hear about is the personal experience of making a home in a new country.

We’re looking for storytellers to join the cast. Do you have a good story? Are you Asian Australian, living or working in western Sydney? Then we’d love to hear from you. Stage experience is NOT required – just a willingness to tell a good story. This email address is being protected from spam bots, you need JavaScript enabled to view it

 

This email address is being protected from spam bots, you need JavaScript enabled to view it us with your contact details and a brief outline of your story.

 
The Longhouse at Performing Lines

LONGHOUSE @Performing Lines

 

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Can we make the future of the performing arts together?

 

Art can be a powerful tool for social change. What do we expect from the performing arts industry as makers
and as audience members? Does your artistic practice feel like it's making a difference?
What do we want from our industry and does it deliver? How do we imagine the future of the industry as an
effective group of changemakers?

Come and speak your thoughts and your passions with arts rabble-rousers Pippa Bailey, Producer at
Performing Lines, and Performance 4a's Executive Producer Annette Shun Wah in a facilitated conversation
about the future we want - and how to make it through urgent and compelling art.

 

This event will be hosted by Performing Lines , producers of transformative new Australian performance for
over thirty years. The Longhouse is Performance 4a's networking and information sharing program aimed at
building the Asian Australian performance community.

All artists interested in performance work about Asian Australian themes are welcome.

 

Tuesday 9 August

6.00pm – 8.00pm

Performing LInes

5/245 Chalmers Street, Redfern

Tickets are only $9 + booking fee.  Numbers are limited.

 

BOOK NOW

 

 
Support Performance 4a
As you'll have gathered by now, Performance 4a is a small, lean organisation of dedicated individuals with big, fat aspirations.  We need your support - moral and financial - to keep us going.  Here's how you can help:



Privacy statement: contact information collected by Performance 4a will be used only for the purposes described on this website. We will not disclose this information to any third parties without your express permission.
 
Hong Kong Fringe Club: Australia on Stage 2006
By Kay Ross

State of the Arts, 13 February 2006


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The ‘Australia on Stage' program of the City Festival 2006 at the Fringe Club in Hong Kong featured three multicultural Australian stand-up comedians who deconstructed their Asian-Australian-ness: Tibetan-Australian comedian Nick Sun, Anglo-Indian Melbourne girl Georgina Naidu and Hong Kong-born cabaret artiste Rick Lau.

Benny Chia, the Artistic Director of the Fringe Club, said: "We love working with Aussie performers; their shows usually have a certain rawness and authenticity about them that suit us to a T, and local audiences have embraced them. Since the announcement of Keating's Creative Nation policy, the Australian government (through the Consulate-General here) has been putting its money where its mouth is. We've been working with Australian artists and arts organisations since 1987, and we've introduced at least 100 acts from Down Under to Hong Kong audiences. Every year we try to bring in new acts and fresh talents to whet people's appetite and keep their interest up."

The "Australia on Stage" program was sponsored by the Australian Consulate-General in Hong Kong. Murray Cobban, Australian Consul-General in Hong Kong, said: "Hong Kong audiences love Australian comedians because of their unique sense of humour. Their witty performances are often inspired by individual experiences in the multicultural living environment of Australia. The ‘Australia on Stage' program of this year's City Festival is a celebration of the best Australian-Asian talents nurtured in an open and culturally diverse country."

Award-winning comedian Nick Sun is known for his self-deprecating, tongue-in-cheek style. In his show Whatever (18-21 January), he described his comedy as "funny, hopefully". Throughout his act, Nick pointedly insisted that his ethnicity was irrelevant, thereby ironically drawing attention to it. One quip that drew big laughs from Hong Kong audiences was: "I've been here for four days and I still haven't found Chinatown."

Melbourne comedian Georgina Naidu poked fun at the weirdness of her Anglo-Indian background in her witty, warm-hearted autobiographical show about home and belonging, Yellow Feather (25-27 January). Backing her up on the onstage sound system was DJ Schmidti, who is of Indo-Fijian-Australian heritage. One of Georgina's funniest lines was: "Essendon football team is so good there's even a place named after them."

Cabaret artiste Rick Lau returned to the City Festival after last year's sell-out show, How Now, Rick Lau, with SunRice (25-27 January). It was a light-hearted romp through his life and career, from his childhood in Hong Kong to IT jobs in Europe and the US, and his experiences as a migrant in Australia. Hong Kong audiences, even those who don't speak Cantonese, enjoyed his scenes and asides spoken in Cantonese, because the characters were instantly recognisable. And drawing huge applause was his version of the tongue-twisting song I've Been Everywhere, Man, featuring Hong Kong as well as Australian place names.

Outside of the ‘Australia on Stage' program, but still part of the City Festival, visual artist and performer Greg Leong from Tasmania was a guest speaker at a symposium, "Arts Connections: D.I.Y. Touring Arts in Asia". Also speaking at that symposium was Douglas Gautier, Executive Director of the Hong Kong Arts Festival, who is due to take up the role of Director of the Adelaide Festival Centre in May.
 
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